The Power and the Glory (Penguin Classics)

... is a novel that's obviously a work of exceptional literary craft but that you don't like. I don't like this novel, though I read it avidly. I'm far more comfortable with Graham Greene's "entertainments" -- the satirical novels that Greene himself considered lesser works -- than with his fictional expressions of his "Catholic Communist" conscience. That's what my aversion amounts to -- a distaste for Greene's philosophical message. I have the same problem with the novels of Vargas Llosa; the comic works like "Aunt Julia and the Scriptwriter" please me immensely, but the political/ideological works like "Death in the Andes" repel me intellectually. "The Power and the Glory" is set in Latin America, as is "Our Man in Havana". Both novels portray societies burdened by corruption and violence under elitist tyrannies, the former a tyranny of ideology and the latter a tyranny of wealth. A huge gap separated the writing of the two books, that is, Green's experience of World War 2 and his partial disillusionment with 'quietist' Catholicism. The protagonist of "The Power and the Glory" is a fugitive priest, a 'wanted man' under the regime of would-be purifiers and saviors of the peasantry. These ideologues could just as easily be fascist as communist; the closest reality to their extremism might be the Khmer Rouge of Pol Pot. The Priest -- a drinker, a "whiskey priest -- evades capture for years, until he is possibly the last priest still at large in a particularly vindictive anti-clerical state of southern Mexico. His only hope is to slip across the mountains into another state where anti-clericism isn't as extreme. He isn't entirely clear, however, whether his 'vocation' isn't martyrdom -- though he considers himself unworthy of such a beatification -- or else survival to be of service to parishioners. For a small, weak, drunkard of a man, the Priest shows incredible endurance and tenacity; in the end, he accepts betrayal as his fulfillment of his sacerdotal role. The obvious association of his inevitable sacrifice with that of Jesus Christ is the core message of the book. Unless the reader is willing to 'privilege' the Priest's commitment to Christian sanctity over the commitment to a religion of social engineering -- the ideology of the Lieutenant who pursues the Priest inexorably -- one wrong-headedness seems more or less as bad as another. There's a comparison to be made -- one that seems almost inevitable -- between "The Power and the Glory" and Malcolm Lowry's novel "Under the Volcano". Both novels are set in Mexico in the 1930s, under one of the most brutal 'caudillo' regimes. The central characters are both novels are drunkards and self-haters. Both 'heroes' are like moths attracted to their own obliteration, and both novels depict the core corruption of Power that ineluctably results in 'fascism' broadly understood. But Lowry's novel is 'orders of magnitude' superior to Greene's -- more vivid, more viscerally disturbing, more honest. In Lowry's book, every character, however briefly present, is intensely encountered psychologically. Next to Lowry, Greene seems conventional and verbose. But "Under the Volcano" is one of the "ten best" novels of the 20th C, in another league from anything Greene wrote or could have written.

It is a terribly sad, but good book. I had never read Graham Greene, although I had certainly heard of him. I had earlier dismissed him as a sort of John Le Carre, writing about the complexities of international espionage. However, then Peruvian novelist Mario Vargas Llosa praised The Power and the Glory in Vargas Llosa's series of essays on various writers entitled The Truth of Lies, and so I thought that I would give the book a shot. It is not an easy read nor, at first glance, an uplifting one, although one can seem moments of redemption and revelation laid out in the book. Everything is set in a Mexican state that I believe is meant to represent Tabasco during the 1920's, shortly after the Institutional Revolutionary Party's ascension to power. At that time, and in that state, it seems that the Mexican government was carrying out a pitiless purge of Roman Catholic priests, and although there were a number of believers, they observed the Catholic rites underground. It appears that the government effected the purge using philosophical observations akin to Lenin's observation that religion is the opiate of the masses. Greene had spent time in Mexico prior to writing the novel, and wrote a memoir that expressed his loathing for the country and all that he saw. And certainly, both the foreigners and the natives living in the novel's setting are deeply unhappy. The former suffer from a profound sense of dislocation, and often dream of going home. The latter are oppressed by unbelievably cruel hardships, including political repression and hunger. Vargas Llosa explained that the novel presented a conflict between the upright Lieutenant, who is totally committed to his secular beliefs and hopes to extirpate the church in order to do away with obscurantism in the hopes of bringing paradise to this world. His bite noire is a priest, who is sinful, guilty of fornicating and drinking and yet, much more human than the rigid Lieutenant. However, I did not see it that way. The Lieutenant is admirable in his own way, particularly when compared to his corrupt and complacent superiors. However, Greene paints the Lieutenant in broad brush strokes and spends relatively little time with him. Greene spends far more time with the corrupted "whiskey-priest," and the real conflict is between the whisky-priest's attempts to discern the nature of his own calling, which he pursues with increasing diligence, which is remarkable considering horrific suffering that he passes through, including near starvation. Still, the whiskey priest cannot decide if he was closer to God when he was a younger priest, relatively well to do and with a parish, or if he is closer now, even if he spends the night in jail and even if he robs rotten meat from a dog because he is hungry. For me, Greene uses the whiskey-priest to explore various theological conundrums. As the novel progresses, we see that the whiskey-priest is becoming weary of life, which is understandable because he has been on the run for eight years. And yet, when he returns to the very state where the police are chasing him, ostensibly to hear the last confession of a murderer, Greene makes clear that in part, the whiskey priest has begun to despair of this life. Thus, Greene asks us to ask if the priest's decision to return is a Christ-like gesture, in which he willingly sacrifices his own life for the betterment of another? Or it is a selfish gesture - in which his desire to die is in a way reflective of a selfish desire to cease living and thus cease suffering? On that note, a remarkable aspect of the novel is the tremendous hatred that nearly every character feels towards this world. And yet, that contributes to the novel's power, because Christianity indeed deals and indeed to a degree condones a contempt for this life. Regardless of the feelings that he may have harbored about Mexico, Greene sets out the priest's struggles with great subtlety and precision, showing him advancing towards a nearly beatific state at times while alternatively feeling repulsed and disgusted by the people around him. At each point, we are encouraged to ask if the priest is moving closer to God, or indeed farther away.

This book was fascinating and mysterious, and it kept me wondering what would happen next. It is a fictional novel about a priest in Mexico during a time of anti-Catholicism when Catholicism was outlawed. This priest had been on the run for years, and the police had been unable to catch him. We start in the story by being introduced to different people, and it is unclear what is happening. However, as we progress through the pages, the story starts to focus on the priest, known as the whisky priest. We learn he has many moral struggles and is pulled between certain vices or sins and his higher calling. It is indeed a thriller novel. Throughout the book, I wondered where the story was going, what was his reasoning for staying in Mexico, and whether he would give up the drink and would be able to confess and get himself back on the right path. Despite his struggles, he still pursued his priestly duties, his higher calling. We see this moral contention, and it allows us to ask these moral questions to discuss. Every time the priest did something good, I was cheering him on. I would vouch to say a few things about the whisky priest. He kept his vocation, even if he admitted to being a bad priest. He was self-aware of himself and his sins and faults. In the ways that he kept his vocation, he preserved his dignity. He rejected the evils of the state. He fulfilled his priestly duties, particularly in celebrating mass and giving confessions. He struggled with his sins. I am glad to have read this book and enjoyed it. It was very engaging and thought-provoking. I would recommend it to those who enjoy reflecting on moral dilemmas and fans of thrillers who appreciate a suspenseful narrative set against the backdrop of religious persecution.

This is a story about a priest on the run from the authorities in 1930s Mexico, during a time of state persecution of the church. It's a "wild west"-type state where getting the wrong side of the local police chief can easily end in torture and summary death. Despite this premise however, this novel is not one of Greene's thrillers, and whilst absorbing reading, it's also the kind of book which requires some effort at times, though the clear prose and vivid, cinematic descriptions of Mexico add colour and make it enjoyable to get through. Despite the priest-on-the-run theme, the dominant feeling is one of residual tension, and perhaps foreboding and general menace, rather than gripping excitement, and those looking for light entertainment would do better to pick up another of Greene's novels. In taking us on this warts-and-all journey into the world of the "whisky priest", Greene is exposing the complexities of human character, gently showing us the contradictions inherent in peoples' lives and views of ourselves and others. Yes, we can be drunkards, arrogant and weak-minded, but also full of compassion, humanity and responsibility. We can be vengeful and murderous, but also coherent and pure. Who is the better person - the honest, incorruptible lieutenant who won't flinch at taking hostages and killing innocent people in order to create a better world for their children, or the corrupt, affable police chief who causes less damage through his laziness and incompetence? The priest who gives up his honour and everything he believes in for a cushy life, or the one who refuses to hand himself in, thereby causing huge pain and suffering to those whose help he is dependent on? Greene has beautifully crafted a book looking at human frailties and strengths with great subtlety and tact. The protagonist of this novel - the sinner priest - is so real and multifaceted that I ended up recognising parts of him in countless people, not to mention in myself. This is a book I enjoyed reading and which I am sure will stay with me for a long time yet.

Ho trovato il libro che avevo letto in italiano per regalarlo a chi legge in inglese

Ni qué decir de la obra más allá de que es una obra maestra. El libro en sí es de la calidad "acostumbrada" de Penguin... lo pongo entrecomillado porque en estos tiempos aciagos ya nada garantiza que no te llegue una edición horrible, con el sello Penguin, pero que es realmente "made to print", o sea, impreso por un tercero con la anuencia de Penguin, normalmente a cargo de un cuarto, contratado por Amazon mismo. Ya se subcontrata todo y, para no variar, la calidad parece ser la primera cláusula anulada de ese sub-contrato. En fin, yo tuve suerte, pero tengan cuidado.

An important novel.

Very profoundly historic novel, widely regarded as Graham Greene's best. Greene subtly insinuates a view that the 'fallen' whiskey priest is actually a good priest. Is what happens in the novel purely random and happenstancial - or part of God's plan for humanity? Pope Paul VI told Greene in an audience "Some people in the Church attack your novels. Ignore them." This novel is obviously part of the reason for Pope Paul VI's position.