---
product_id: 41503476
title: "Off Season"
price: "RM128"
currency: MYR
in_stock: true
reviews_count: 13
url: https://www.desertcart.com.my/products/41503476-off-season
store_origin: MY
region: Malaysia
---

# Off Season

**Price:** RM128
**Availability:** ✅ In Stock

## Quick Answers

- **What is this?** Off Season
- **How much does it cost?** RM128 with free shipping
- **Is it available?** Yes, in stock and ready to ship
- **Where can I buy it?** [www.desertcart.com.my](https://www.desertcart.com.my/products/41503476-off-season)

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## Description

September. A beautiful New York editor retreats to a lonely cabin on a hill in the quiet Maine beach town of Dead River―off season―awaiting her sister and friends. Nearby, a savage human family with a taste for flesh lurks in the darkening woods, watching, waiting for the moon to rise and night to fall… And before too many hours pass, five civilized, sophisticated people and one tired old country sheriff will learn just how primitive we all are beneath the surface…and that there are no limits at all to the will to survive. This novel contains graphic content and is recommended for regular readers of horror novels.

Review: Classic horror tale -- it's more than blood and body parts - Jack Ketchum's OFF SEASON is a classic horror novel for fans of the grotesque. There's no doubt the novel is horrific - it's about a family of inbred cannibalistic lunatics living in a cave on the coast of Maine, and Ketchum holds no punches in describing the brutality of their violence. But beyond that, OFF SEASON is a well-written and gripping novel that has a lot to say about both humanity's propensity for violence and the sheer absurdity of our ongoing struggle to survive. There's more to this book than blood and body parts, and that's what makes it worth reading. The story focuses on Carla, a young editor from the big city who has rented a remote cabin in Maine for a month of relaxation and work on her latest project. When she invites sister Marjie and four of their friends to join her for a week in the woods, she has no idea it will be the start of a nightmare for all of them. Within hours of the guests' arrival, the six friends are attacked by human monsters intent on murder . . . and worse. Some reviewers here have described OFF SEASON as a novel that lacks characterization, while others have complained about the slow start to the violence. Neither assessment has merit. Ketchum does an excellent job differentiating his characters: Carla is self-assured and confident, younger sister Marjie has always seen herself as weak and suffers from depression, Nick loves both of them but is trying to put the past behind him, and police chief Peters is middle-aged and tired but determined to do the right thing. These are identifiable characters that are likable and easy to root for. Carla's other three guests (her current boyfriend Jim, Marjie's boyfriend Dan, and Nick's new girlfriend Laura) are less fleshed out, but Ketchum is able get his readers to understand all three in very short order. As for the slow start to the violence, the only readers who will complain about that are those who are only picking this up for the gore-fest. It's true that the first 130 pages are a set-up for what's to come, but that set-up is full of foreboding, hints of brutality, and glimpses of depravity. Ketchum shifts perspective from Carla to her sister and friends to Peters to members of the cannibalistic family, and in so doing he is able to build suspense over those first 130 pages, so that when the attack actually occurs it's impossible not to be blown away. The "slow start" is the roller coaster's creaky rise up to the first big drop, and the rest of the book is pure free-fall. Just how gross is this book? It's pretty gross. Ketchum's villains are cannibals, after all, and they really love the hunt . . . and the kill and the butchering and the cooking. There's enough blood and gore for any shock-horror fan. At the same time, what makes this novel worth reading is Ketchum's portrayal of these fiends as human - as horrible as they are, they are not monsters. And as Marjie and the others are sucked deeper and deeper into depravity, Ketchum forces us to see how far they themselves will go to survive. This is not an easy book to read, and it's not an easy book to forget. The original version of OFF SEASON, published in 1981, was edited to remove things the publisher felt were too over-the-top for mainstream readers. The paperback edition released in 2006 (as well as the pricier hardcover edition) restores the uncut version of the manuscript. Does it make a huge difference? I read the original version in 1981, and the only thing that stood out to me as obviously different in this new version is the ending and the fate of one particular character - this change is important, and it makes a big difference in terms of the overall message of the novel. The other changes involve the inclusion of some additional bits of grotesque description during the many scenes of brutality. I can't say I would have noticed most of the changes without Ketchum's afterward - well, one particularly horrific moment with a fish hook did stand out! Overall, if you're a horror fan, this is a novel that is definitely worth reading. It's more than just a collection of gross-out moments, though, so if it's just the gore you're looking for, OFF SEASON might disappoint (the sequel, OFFSPRING, actually has more non-stop violence than OFF SEASON, although it is less successful). Horror fans who appreciate well-written prose with a challenging message will enjoy this. It remains one of my favorites.
Review: Bloody, savage, gory and great! - This was my first Ketchum book and I cannot wait to read the follow up to Off Season, chillingly called Offspring. This tale is pretty simple as it deals with civilized humans and with some barbarians who speak and think but who choose to stalk and watch their prey before they make their surprise attack. This is not savagery fueled by regular hunger, this is deep and evil lust for causing pain and cruelty to the innocent in the most excruciating manners possible, this is the tale of the Off Season and the harvest of souls that soon follows. When Carla retreats to an isolated cabin in the midst of a quiet Maine town she has in mind some book editing along with a nice relaxing week in the company of her sister Marjorie and her boyfriend Dan. Along for the ride came Jim, Carla's handsome but not emotional new hunky boyfriend as well as her ex Nick and his new air head of a girlfriend Laura. Carla has a whole day to herself to clean and refresh the whole cabin before her company, as the off season in the small town of Dead River provides nothing but fresh air and beautiful views of forests and nearby cliffs above a chillingly green sea. She has no idea but her steps have all ready been entangled in a slowly spinning game of cat and mouse. She is being slowly watched by a savage family that lives in the nearby coastal rocky cave and they are not simple dirty humans who feed on scraps and peek through windows, they are something much darker and hungrier than the wildest animals she could have crossed paths with. What Carla and her company have in store is beyond what many people can handle hearing about, and this is where the book plunges from serene scenery and character development into a black nightmare of infinite proportions that seems to have no way out but through the dark and hungry jaws of the savages. When the civilizations collide and the city dwellers get a nasty shock of reality, they have very little time to absorb the impact of being attacked and hunted by a rabid pack of humans who have a growing appetite for human flesh as it fills them with power and fuels their barbaric primordial magic. In the middle of the night while making love to Jim, Carla finds herself drowning in his blood as an attack through the window takes over her serene world and she is pulled out of the house naked, in the middle of the night with children and dirty men and women dressed in skins clawing at her muscles, wanting to absorb her flesh and her vital energy. The battle for life and death begins as the sleepy vacationers are roused to screams and sounds of violent trashing about the house. A few of them meet a grim and gristly fate at the hands of barbaric and ferocious people that live in a black cave filled with skulls and clothing and a big metal cage that is literally their place for incoming meals. With the characters battling for their lives and few of them brutally eaten, Ketchum hooks and sinks the reader with his infinite morbid descriptions of cannibalism and the undying will to survive that is the only shining light the prey has left. I was engrossed and scared to turn the page but the book was one that sucked me in, I felt like turning to the last page more than once just to see who could have possible came out alive out of this disgusting battle but I'm glad I read it and got to the ending, which was bittersweet and explosive. - Kasia S.

## Images

![Off Season - Image 1](https://m.media-amazon.com/images/I/818D99TjZkS.jpg)

## Customer Reviews

### ⭐⭐⭐⭐⭐ Classic horror tale -- it's more than blood and body parts
*by K***M on September 4, 2012*

Jack Ketchum's OFF SEASON is a classic horror novel for fans of the grotesque. There's no doubt the novel is horrific - it's about a family of inbred cannibalistic lunatics living in a cave on the coast of Maine, and Ketchum holds no punches in describing the brutality of their violence. But beyond that, OFF SEASON is a well-written and gripping novel that has a lot to say about both humanity's propensity for violence and the sheer absurdity of our ongoing struggle to survive. There's more to this book than blood and body parts, and that's what makes it worth reading. The story focuses on Carla, a young editor from the big city who has rented a remote cabin in Maine for a month of relaxation and work on her latest project. When she invites sister Marjie and four of their friends to join her for a week in the woods, she has no idea it will be the start of a nightmare for all of them. Within hours of the guests' arrival, the six friends are attacked by human monsters intent on murder . . . and worse. Some reviewers here have described OFF SEASON as a novel that lacks characterization, while others have complained about the slow start to the violence. Neither assessment has merit. Ketchum does an excellent job differentiating his characters: Carla is self-assured and confident, younger sister Marjie has always seen herself as weak and suffers from depression, Nick loves both of them but is trying to put the past behind him, and police chief Peters is middle-aged and tired but determined to do the right thing. These are identifiable characters that are likable and easy to root for. Carla's other three guests (her current boyfriend Jim, Marjie's boyfriend Dan, and Nick's new girlfriend Laura) are less fleshed out, but Ketchum is able get his readers to understand all three in very short order. As for the slow start to the violence, the only readers who will complain about that are those who are only picking this up for the gore-fest. It's true that the first 130 pages are a set-up for what's to come, but that set-up is full of foreboding, hints of brutality, and glimpses of depravity. Ketchum shifts perspective from Carla to her sister and friends to Peters to members of the cannibalistic family, and in so doing he is able to build suspense over those first 130 pages, so that when the attack actually occurs it's impossible not to be blown away. The "slow start" is the roller coaster's creaky rise up to the first big drop, and the rest of the book is pure free-fall. Just how gross is this book? It's pretty gross. Ketchum's villains are cannibals, after all, and they really love the hunt . . . and the kill and the butchering and the cooking. There's enough blood and gore for any shock-horror fan. At the same time, what makes this novel worth reading is Ketchum's portrayal of these fiends as human - as horrible as they are, they are not monsters. And as Marjie and the others are sucked deeper and deeper into depravity, Ketchum forces us to see how far they themselves will go to survive. This is not an easy book to read, and it's not an easy book to forget. The original version of OFF SEASON, published in 1981, was edited to remove things the publisher felt were too over-the-top for mainstream readers. The paperback edition released in 2006 (as well as the pricier hardcover edition) restores the uncut version of the manuscript. Does it make a huge difference? I read the original version in 1981, and the only thing that stood out to me as obviously different in this new version is the ending and the fate of one particular character - this change is important, and it makes a big difference in terms of the overall message of the novel. The other changes involve the inclusion of some additional bits of grotesque description during the many scenes of brutality. I can't say I would have noticed most of the changes without Ketchum's afterward - well, one particularly horrific moment with a fish hook did stand out! Overall, if you're a horror fan, this is a novel that is definitely worth reading. It's more than just a collection of gross-out moments, though, so if it's just the gore you're looking for, OFF SEASON might disappoint (the sequel, OFFSPRING, actually has more non-stop violence than OFF SEASON, although it is less successful). Horror fans who appreciate well-written prose with a challenging message will enjoy this. It remains one of my favorites.

### ⭐⭐⭐⭐ Bloody, savage, gory and great!
*by K***. on January 29, 2007*

This was my first Ketchum book and I cannot wait to read the follow up to Off Season, chillingly called Offspring. This tale is pretty simple as it deals with civilized humans and with some barbarians who speak and think but who choose to stalk and watch their prey before they make their surprise attack. This is not savagery fueled by regular hunger, this is deep and evil lust for causing pain and cruelty to the innocent in the most excruciating manners possible, this is the tale of the Off Season and the harvest of souls that soon follows. When Carla retreats to an isolated cabin in the midst of a quiet Maine town she has in mind some book editing along with a nice relaxing week in the company of her sister Marjorie and her boyfriend Dan. Along for the ride came Jim, Carla's handsome but not emotional new hunky boyfriend as well as her ex Nick and his new air head of a girlfriend Laura. Carla has a whole day to herself to clean and refresh the whole cabin before her company, as the off season in the small town of Dead River provides nothing but fresh air and beautiful views of forests and nearby cliffs above a chillingly green sea. She has no idea but her steps have all ready been entangled in a slowly spinning game of cat and mouse. She is being slowly watched by a savage family that lives in the nearby coastal rocky cave and they are not simple dirty humans who feed on scraps and peek through windows, they are something much darker and hungrier than the wildest animals she could have crossed paths with. What Carla and her company have in store is beyond what many people can handle hearing about, and this is where the book plunges from serene scenery and character development into a black nightmare of infinite proportions that seems to have no way out but through the dark and hungry jaws of the savages. When the civilizations collide and the city dwellers get a nasty shock of reality, they have very little time to absorb the impact of being attacked and hunted by a rabid pack of humans who have a growing appetite for human flesh as it fills them with power and fuels their barbaric primordial magic. In the middle of the night while making love to Jim, Carla finds herself drowning in his blood as an attack through the window takes over her serene world and she is pulled out of the house naked, in the middle of the night with children and dirty men and women dressed in skins clawing at her muscles, wanting to absorb her flesh and her vital energy. The battle for life and death begins as the sleepy vacationers are roused to screams and sounds of violent trashing about the house. A few of them meet a grim and gristly fate at the hands of barbaric and ferocious people that live in a black cave filled with skulls and clothing and a big metal cage that is literally their place for incoming meals. With the characters battling for their lives and few of them brutally eaten, Ketchum hooks and sinks the reader with his infinite morbid descriptions of cannibalism and the undying will to survive that is the only shining light the prey has left. I was engrossed and scared to turn the page but the book was one that sucked me in, I felt like turning to the last page more than once just to see who could have possible came out alive out of this disgusting battle but I'm glad I read it and got to the ending, which was bittersweet and explosive. - Kasia S.

### ⭐⭐⭐ Like, gag me with a pitchfork!!
*by S***R on December 24, 2003*

Bottom line, this book is worth reading to us voyeurs and carnage junkies. It is short and the first 50 pages or so establish the characters, who will soon get mangled and massacred and maimed like sides of beef slaughtered by the feral killers in the woods. This leaves about 100 pages of breakneck action, with gore and brutality of almost unspeakably epic proportions. You want violence? You want rape? You want a perverse combination of the two that will make you retch? This story makes cannibalism look like Grey Poupon on a silver spoon. I'm still not sure why the author bothers to attach any background or personality to the main characters when they only serve to further the plot and be systematically annihilated. They're like human slabs to be fed into the meat grinder to provide the bizarre predators with a focus for their aggression. The natives are appropriately revolting and primitive, and are chilling in their single-minded butchery. The characters' complexities quickly dissolve into basic qualities: THE BRAVE ONE, THE COWARD, THE SENSITIVE ONE, etc. The writing style is simplistic and raw, which serves the story well. No poetic metaphors or descriptions here; everything is described in straightforward terms, like a series of roundhouse blows that leave one doubled over on the ground. The gore eventually grows tiresome, even though the author takes it to new heights of sadism. Any attempt at humor or irony or insight is mowed over by the grotesque series of events that spirals out of control and makes you wish the protagonists had an Uzi to chop the offenders into hamburger. The ending is horrendous, with some sort of moral attached, showing how violence feeds on itself. But I found the turn of events rather contrived, as if the author wanted to comment on how ordinary men can become murderers if placed in a terrifying situation.

## Frequently Bought Together

- Off Season
- The Girl Next Door
- Offspring

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*Product available on Desertcart Malaysia*
*Store origin: MY*
*Last updated: 2026-05-18*