No Country for Old Men [Blu-ray]

I'm a HUGE fan of the Coen Brothers. Even some of their less successful movies always leave me delighted because they dare play around with tone and audience expectations. Who but this brotherly team would attempt a movie like THE LADYKILLERS or MAN WHO WASN'T THERE? But in NO COUNTRY FOR OLD MEN, they return to their true forte...the crime thriller. Although my personal favorite is RAISING ARIZONA...it is probably true that in decades from now the Coens will be best remembered and admired for BLOOD SIMPLE, FARGO, MILLER'S CROSSING and now their adaptation of Cormac McCarthy's bleak Southwest thriller. NO COUNTRY...tells the story of how one simple man (Josh Brolin), out on a hunting trip somewhere in the vast emptiness of west Texas, stumbles across the scene of a drug deal gone bad. Empty pickup trucks, dead men everywhere, and one lone survivor. This dying man asks for water (which Brolin doesn't have) and then Brolin finds a big bag full of about $2 million. He takes the money, not really thinking about the consequences. We find that he lives in a single wide mobile home with his attractive but too compliant wife. We think Brolin is a simple and probably heartless man...but when he decides he needs to go back and give that dying man some water...his moment of kindness is his undoing. He is discovered and soon his is identified. Now he's being hunted by the authorities, the drug dealers and most awfully, he's being chased by Anton Chugurh (Javier Bardem), who could be one of the most malevolent serial killers / hitmen in movie history. Brolin sends his family into hiding and goes on the run himself. He hops from one rundown hotel room to another, leaving a trail of death and violence following him. And drawing ever closer is Bardem...calm, steady and absolutely convinced that he will recover the money and kill the man who took it. Trying to sort everything out is Tommy Lee Jones as the local sheriff, who feels that not only is he in over his head (although we see very early on that he has a native instinct and craftiness for his work that actually make s him a pretty brilliant investigator)...but he feels that society itself has moved on without him. The scenes of violence he encounters are beyond anything he's experienced. He is afraid, but worse than that, he is spiritually shaken. These three men, and a host of supporting characters (including a well-cast Woody Harrelson) chase each other around...and just the chase itself would make an entertaining film. But what we have here is a film that makes us smell the desperation, feel the emptiness and loneliness of the landscape AND the people who live there. This is a brutal and non-compromising film. It's so great because it is splendidly entertaining...and yet it fills you with a tension that goes beyond the simple plot developments. In a way, we begin to feel about the events much the same way that Tommy Lee Jones feels. We are invited into his inner turmoil...and we feel it. And as always, the Coens are utter masters of tone. They know exactly how funny they want humorous scenes to be and exactly how to turn tension up and down. Then just up and up and up. It is a VERY well acted film. Bardem will almost certainly be nominated for an Oscar...and he deserves it. What a role! He's a complete success at conveying emptiness. He kills with no pleasure...but he has also made killing his first line of action in almost any situation. I guess he's just learned that this is the best way to solve problems and get people out of the way. Bardem is riveting. It's a complete cliché to say "you can't keep your eyes off him," but I'm comfortable reporting that for me, I couldn't keep my eyes off him. It's a brilliant creation of McCarthy's...interpreted by the Coen Brothers and then brought to amazing life by Bardem. Brolin gives by far his finest performance. With this performance and his role in AMERICAN GANGSTER, he must now be taken seriously as an actor. Jones is the ONLY actor who could have played his part...he's that good and that iconic. What other actor do we know who should be playing a grizzled Texas lawman in the modern age? Robert Duvall perhaps? Other than that, the list only includes Jones. I must warn you...you almost certainly will not like the ending. McCarthy has never felt the need to wrap up his stories in a tidy package (doing so would in fact undo much of what he's trying to say about life) and the Coens have not shied away from his vision. I found the ending a little jolting myself...until I took the time to reflect on what it meant and how it made me feel. Then I understood a little better how brilliant it was. This is easily one of the most satisfying, most artistically mature and most viscerally entertaining movies of the year! A triumph for the Coen Brothers!

The powerful novels of Cormac McCarthy may lend themselves to interpretation on film and No Country for Old Men has been successfully translated by the Coen brothers and is a superb work of art in its own right. In an interview in a recent magazine, McCarthy indicated he was pleased with the translation of his novel into a film, saying that the film captured the novel. The direct, bleak, no frills dialogue that is a characteristic of McCarthy's novels is captured in the dialogue in the film. Both the novel and the film are disturbing, not only for violent content but also for the philosophical underpinning of the novel and film. As the literary critic Harold Bloom notes, the violence in McCarthy's work is not gratuitous, but plays and essential role in the underlying message and theme of the work. I hope to focus on this underlying philosophy in this review. The story is that of an everyman, a self contained competent American male against forces that are overpowering even for his rugged native ingenuity. Llewelyn Moss, played superbly by Josh Brolin, discovers where a drug deal gone bad has left all parties (both men an dogs) dead on the field, with neither the money or the drugs taken away. He finds 2 million dollars in payoff money and takes it. However, he violates a basic premise, often explored in the novels of John Bowles, that he should follow his instincts and never second guess himself in such a risky situation. Llewelyn is troubled by the cry of a dying Mexican drug dealer for water and so he fills up an empty milk jug and goes back to the scene of the crimes to give he man water. What a mistake this is and what a price he pays. He is soon pursued by a paid killer, Chigurh, played perfectly by Javier Bardem. He sends his wife to his mother-in-law's home and tries to escape the, and embarks on an escape, leaving his wife Carla (Kelly Macdonald) to escape the pursuit of Chigurh. Because of the string of killings, Chigurh is being tracked by the local sheriff, played by Tommy Lee Jones. The sheriff becomes somewhat of a narrator and commentator upon the events as they unfold. Chigurh is also followed by a hitman, played by Woody Harrelson, who works for one of the criminal parties left empty handed after the desert shoot out. Much terror follows, making for an intense and suspenseful film that will keep viewers on the edge of their seats. But who and what is Chigurh? Many, in fact the majority, of reviewers see him as a homicidal maniac, as insane, a psychopathic murderer. But he is more than that. He appears in other McCarthy novels as other similar characters. The most obvious is Judge Holden in the frightening novel Blood Meridian. As Harold Bloom points out, this character is also that of Achilles in The Iliad by Homer. He is the embodiment of the dark animalistic homicidal nature of mankind which like tornadoes and earthquakes and hurricanes, is part of nature, is a force of nature, is often unavoidable, and which follows the rules of natural forces and not the rules of man. He also follows the rules of chance rather than the rules of man, as evidenced by his use of a flip of a coin to determine who may live or die. It is the worn-out and wise Sherriff that senses this in his pursuit of the killer Chigurh and his gathering of the endless clues that point to both the brutality and cruelty of Chigurh. The Sherriff has a dialogue with an estranged relative about the death of one of their ancestors, a lawman, who is killed in the line of duty. The comments of the Sherriff and his dialogue with family members and colleagues, reveals his philosophy that this evil force will burn itself out, reach some point of conclusion, and will move away. This is a very different view of how evil should be dealt with in Western, and specifically American culture, where we must fight evil until the bitter end rather than seeing evil as a storm that will one day move on. The strength of the film is absolute fidelity to this philosophy on the nature of evil. With a compelling story, superb acting, penetrating dialogue, and the ability to challenge thoughtful viewer's preconceived notions, this film is excellent.

Beautifully dark movie, well acted!

Good movie. Just didn't like the ending

Here is one of the best pictures of the year. Another film alongside "There Will Be Blood" and "The Assassination of Jesse James" where the cinematography will make you sweat. Examining the opening moments, it's no wonder why. The shots of a vast, unforgiving landscape accompanied by a voiceover by Tommy Lee Jones, who's voice speaks with experience and wonder, assuring us that this is no country for old men. What can be said about the Coen brother's that has not been said already? Everyone and their cousin knows they make tremendous films, amongst them "Fargo" and the incomparible "Miller's Crossing." With "No Country," they've adapted a grainy, modern western novel into a grainy, contemporary cinema about the nature of men in a world that knows of unspeakable crime, and therefore, no body speaks of it. Amid all the film's magnificent set pieces, performances and violent swagger, the best thing it has going for it is the screenplay, adapted from the Cormac McCarthy novel, using much of the original text. Here is rare experience when seeing the film is more exciting than reading the book, because the dialogue, so rich with earnest subtext is spoken by actors who know precisely how to deliver a line and precisely what it means, even when what it means isn't what is said. Examine the scene at the roadside gas station, much appreciated by Roger Ebert, where Anton Chigurh has a discussion with the attendant. We know Chigurh would have no qualms about killing the man, we've seen him kill, and as a character later states, would kill this man just for "inconveniencing" him. Attend well to the look Chigurh gives him when he leaves, the way he raises his brow at the man. We know exactly the reason he gives him this look even when the attendant doesn't. Notice I have mentioned barely anything of the plot. That would serve little purpose with this film about to hit DVD. I urge you to go and read the book, and then watch the film, and see for yourself why this is absolutley the best adapted screenplay of the year. The plot itself is half the fun, or maybe even 40 percent. I found myself not so much concerned with the plot, but how its moved through by these characters. The ensemble cast is filled out perfectly with Josh Brolin, Tommy Lee Jones, Woody Harrelson and the calmly frightening Javier Bardem, speaking with a persian accent that is almost scarier than his amazing tracking ability. These are actors who know the score, playing characters who either know the score, or are completely clueless about what the score is. And can someone please tell me why Josh Brolin was overlooked for an Oscar nomination? The Coen's have constructed a film that is intensely satisfying on every aspect. After two viewings, all the magnificant parts of the film still have not sunk in. Some may find the violence too gratuitous or the character's too unwholesome, but as the title suggests before you buy the ticket, this is a film about the darkest parts of human nature, winning out over the best parts of it. For those dissatisfied by the film's ending, I put it to you to contact Mr. McCarthy and suggest a better one. One could see Cormac McCarthy reflected in the Sheriff Belle role, only someone who has witnessed such senseless crime could write so vividly of it. Or perhaps not, because the Coen's have long been gifted at dipicting it.

Good movie just didn't like the ending.

A great movie

This is one of those movies that divides moviegoers. Love it. Hate it. Few fall in between. Some reject it because it fails to promote the promise of a righteousness path. Some embrace it as an affirmation of life's randomness. Whatever. The most objective thing I can say to those who have not yet seen it is that "No Country for Old Men" is not for those who seek the promise of a happy ending. Nor is it for those wishing to wallow in absolute darkness. It is perhaps best suited to those open to the possibility that life, no matter how we lead it, is incalculable. As the protagonist, Sheriff Ed Tom Bell, opines: "Even in the contest between man and steer, the outcome is uncertain." The world of "No Country for Old Men" rewards no one code, or set of rules by which to live life. Good country people who work at Wal-Mart, pay their bills on time and take care of their mamas are, in the end, promised no better an outcome than are murderous psychopaths. Time and again, "No Country for Old Men" demonstrates this lack of a guarantee. Survival, success, fairness -- roll the dice as gently or as roughly as you want. It doesn't matter. The dice have no say. Still, "No Country for Old Men" is filled with characters who live life by their own unique set of rules. In fact, the story's biggest proponent of such rules is the antagonist, Anton Chigurh, a vicious killer who repeatedly promotes the importance of honoring one's word and toeing a defined line. This, some might say, proves the cliché about a method in madness, but Chigurh, like even the most vicious real-life villains, does not believe he's mad. To him, his way is the only way. He preaches it like a man of God, telling one soon-to-be-dead victim: "If the rule you followed brought you to this, of what use was the rule?" The sheriff also subscribes to a code, though he doesn't go so far as to define it as such. He makes no assumptions, follows the law, follows the evidence, and wastes no time posturing or putting on airs. Rather, he surveys a series of ever-more-violent acts occurring in the world around him and repeatedly concedes that he does not understand. This admission of ignorance is particularly admirable when contrasted with statements made by his counterpart, a hitman who's also in pursuit of the antagonist, Chigurh. Unlike the sheriff, the hitman believes he understands the nature of this particular evil: "He's a psychopathic killer, but so what? Plenty of them around." Divergent paths, but both intended to lead their followers to the same destination. Then there's the driver of all action from the start of the story, the deuteragonist, Llewellyn Moss, an out-of-work war veteran whose view of the world is shared through the camera's lens. Before we see any part of Moss, we see what he sees through the scope of his rifle while he's sighting prey in the desert. We hear him fire a shot, then fume over his failure to achieve an instantaneous kill. We follow him as he follows the blood trail of his prey to its unexpected intersection with a second blood trail. This is the first turning point and Moss' choice to follow the second trail in reverse -- away from the limping, bleeding dog that created it, and toward wherever the injury occurred -- is the first in a series of choices that quickly transform Moss from hunter to the bleeding prey. "No Country for Old Men" is brilliant storytelling, whether it be the book by Cormac McCarthy, or the Coen Brothers' adaptation for the screen. Momentum builds steadily from the start, in conflict after conflict, to the point of no return and beyond. The chase that ensues consumes Act II and moves us quickly along to the climax, as well as to an inspired denouement. Few movies succeed on as many levels as "No Country for Old Men." In my opinion, it deserved every Oscar it received.

100 % OK Goede verzending van besteld item beantwoorde volledig aan de beschrijving van de verkoper ( uiterst tevreden ) :-):-):-)

Si bien no es reconocida por ser una película de acción, si es una película bastante densa y con temas muy interesantes, y unas actuaciones bastante espectaculares, muy recomendada para quienes gustan del cine con cierto toque filosófico y acción viene subtitulada al español, pero no doblada

Klasse Film, der bis zum Schluss spannend bleibt. Bild und Ton sind gut. Die Schauspieler sind gut gewählt, und mache einen tollen Job. Was mir auch sehr gut gefällt, das der Film ohne Musik auskommt. Das macht ihn noch spannender, da man richtig in die Geschichte eintauchen kann, ohne von Musik abgelenkt zu werden. Nicht wie die heutigen Filme, wo jede Szene mit Musik untermalt ist. Klare Kauf Empfehlung für diesen tollen Film.

Watched over two evenings, found it very slow paced, but I liked this, lot of shootings among Gand members over drugs, acting top rated, loved Josh brolin who finds the drug money then has to keep ahead of drug gang leader played superbly by Javier bardem, a very evil man. Will have to watch again in one sitting, as it was so entertaining, bit paced like Paris Texas movie, but didn't detract from this film, highly recommended viewing.

Brand new in clear wrapper as advertised. The shipping was fast and movie was a great price. As for the movie itself, its a good movie, slower then a normal action movie, but the story is great, acting is great. Watch it if you haven't