Early Girls Volume 5

Those of us who swear by the quality of product emanating from Ace of London were pleasantly surprised a few months ago when, after figuring that their excellent series The Golden Age Of American Rock 'n' Roll had ended with Volume 10, along came an 11th installment. The same applies to this equally-excellent but smaller series which appeared to have ended with Volume 4. Now we get # 5, complete with the usual top-of-the-line sound quality and extensive liner notes [23 pages] by Rob Finnis, including discography of the contents.Sprinkled throughout are vintage poster/record reproductions which includes photographs of Andrea Carroll, Patty Duke, The Royalettes, Rag Dolls, Doris Troy, The Elektras, Patty Lace & The Petticoats, Cathy Carroll, Janie Black (with sister Jeanne), The Paris Sisters (with Phil Spector); Jo Ann Campbell, The Four Coquettes, Diane Renay. The Starlets, Maureen Gray, Tina Robin, and The Shepherd Sisters.Here Ace presents a number of tunes that were the only hits for the artists concerned, a factor which makes them among the harder-to-find for those who focus on the "Girl Group Sound," as well as some that showed up on Billboard's "Bubbling Under" charts, introduced in 1959 to reflect those regional hits that just missed making the Hot 100. In that regard, tracks 2, 4, 11, 12, 13, 15, 16, 19, 23, 24 and 25 were shut out of the Hot 100 in their respective years, but all "bubbled under." Fulls details are contained in the discography on the reverse of the jewel case.Almost half the contents here are also appearing in CD format for the first time, and in the cases of 12, 15 and 21, these are released in stereo for the first time. Except for the non-charters listed above, all the rest were Hot 100 hits to varying degrees, with the best of them being: Patty Duke's Don't Just Stand There (# 8 Hot 100 in July 1965 on United Artists); Just One Look by Doris Troy (# 3 R&B/# 10 Hot 100 in July 1963 on Atlantic and, somewhat incredibly, her only hit); Broken-Hearted Melody by Sarah Vaughan (# 5 R&B/# 7 Hot 100 in September 1959 on Mercury); Sue Thompson's Paper Tiger (# 23 Hot 100 in February 1965 on Hickory); and Navy Blue by Diane Renay (# 1 Adult Contemporary/# 5 Hot 100 in March 1964 on Ludix - quite an accomplishment for a small label, being right in the midst of the opening waves of the British Invasion).Trivia abounds in here as well. The Rag Dolls' initial (and only other) hit, Society Girl (# 91 Hot 100 in September 1964 on Parkway) was an "answer" song to Rag Doll by The 4 Seasons, a song from which this Sarasota, Florida trio also took their name. Dusty finished at # 55 Hot 100 in February 1965 on Mala. Anita & The So, as such, had just the one hit, Joey, which topped out at # 91 Hot 100 in February 1962 on RCA Victor. But this was really Anita Jean Grob, better known as Anita Kerr, whose Singers backed many of the biggest hits of the 1950s and 1960s. Also a One-Hit wonder were The Bermudas (Donnie - # 62 Hot 100 in May 1964 on Era for Rickie Page and her two daughters, but it turns out Rickie was also part of Bobby "Boris" Pickett's back-up group, The Crypt-Kickers.One correction to note is track 28, the full title of which is Dear Mr. D.J. Play It Again. In this # 95 Hot 100 in September 1961 on Mercury, One-Hit Wonder Tina Robin (who was a regular on Sing Along, a TV show hosted by Jim Lowe) sings snippets of classic R&B hits. Others with only one charter include Andrea Carroll (It Hurts To Be Sixteen - # 45 Hot 100 in August 1963 on Big Top), Cathy Carrol (Poor Little Puppet - # 91 Hot 100 in August 1962 on Warner - no relation to Andrea); and Maureen Gray (Dancin' The Strand - # 91 Hot 100 in June 1962 on Landa.The above blurb refers to this release as Ace's "last hurrah" in this series, and if that's so it's indeed a shame as there are so many more Girl Group Sound tunes waiting to see the light of day on a quality CD (for example, the above mentioned Society Girl and Dixie Danny by The Laurie Sisters from 1955). Let's hope they see their way clear to conjure up another volume.

Early Girls Vol. 5 A great cd if you like those forgotten girls groups that struggled to get success in the 1960 to 1963 times before the British Invasion came through and wiped everybody out. A few of the songs say 10 or more are charted hits but I like the odd songs that were on respected record companies that were not big hits companies like Acto,Capitol.Mercury and more. This was a great choice I am glad I sent away for it.

Ace Records of the U.K. rolls out their fifth and purportedly final collection in their highly acclaimed "Early Girls" series. In this volume, hits by established adult pop performers of the era that were sampled in volume four have made way (with the possible exception of one Sarah Vaughan track) for a number of tunes that approached but never quite made the top-100 lists. While each of these near-misses have various claims to near-fame as described in the extensive notes for each track in the accompanying liner notes booklet, with so many top-100 girl-group tunes yet to see the light of day on quality CD, we collectors can only hope Ace will resurrect this series to capture some of these remaining and sought-after recordings.Wishes aside, this volume does deliver the goods as has come to be expected from Ace. A few well-recognized tunes in the likes of "Don't Just Stand There" from Patty Duke, "Navy Blue" by Diane Renay and Doris Troy's "Just One Look" anchor a treasure of rare and new-to-CD tracks such as the Rag Dolls' "Society Girl", Tina Robin's "Play It Again", the Bermudas' "Donnie" and Anita (of Anita Kerr Singers fame as session singers) and the So-and-So's' (in stereo!) "Joey Baby". Other treats include a first-time stereo take of the Chantels' last hit "Eternally". Near, if not at, the top of the list of true finds here is the first-time appearance of the Chiffons version of the Shirelles' "Tonights the Night". There's more to this story though, as the liner notes reveal that this was not the Chiffons group of "He's So Fine" fame but rather a one-off session by a west coast group of unknowns done in all probability merely to discourage other cover versions of the Shirelles' recording.With a massive 28 tracks (10 in stereo - 3,4,6,10,12,15,20,21,26,28), an informative and beautifully illustrated 24-page liner notes booklet crammed with interesting background on the included recordings and the collectors' finds noted above, this volume winds up this spectacular series in superb fashion. Another outstanding piece from Ace and is not to be passed up by any collector.

Early Girls 5 is the last volume, apparently, in the British based Ace Records series of girl group sounds. If that is true, they couldn't have bowed out with a better collection. Early Girls 5 is a joy from start to finish, balancing the well known, or more appropriately the well anthologized tunes,such as Andrea Carroll's "It hurts to be sixteen", to the relatively unknown "Sneaky Sue". Even if you've never heard them before, the tunes in Early Girls 5 are, to a song, evocative slices of 60s pop. I especially liked Anita (Kerr) and the so n so's Joey baby (lovely in stereo)and Cathy Carroll's dramatic rendering of Poor Little Puppet. I really like this collection- you will too.

Great Girl groups from back in the day

Excellent

These are from my era and I remember some of them but not all. By the time they got to volume 5 they included some pretty obscure songs and artists, but most are good as is the quality of recording. I also have volumes 1-4, and each one has songs that were highlights of the era, and some that just didn't quite get there. The whole collection is great and well worth having.

Another fine collection from the fanatics at Ace Records. An eclectic mix of known artists with low charted hits and some, at least to me, completely unknown ones. That said, everything on this CD is interesting. The usual great sound quality and the usual fantastic insert booklet. As with all Ace products and the Early Girls series, highly recommended

I reviewed the first four volumes many years ago. Now I've finally got around to buying and reviewing the fifth and final volume, and if there has to be an end to the series, this is a good way to end it.The only big hits are four that made the American top ten (Don't just stand there, Just one look, Broken hearted melody, Navy blue) and Paper tiger, which made the American top 30. Of these, Just one look (represented here by Doris Troy's original recording) was a bigger UK hit via a cover version by the Hollies. The booklet note writer isn't kind to the Hollies, clearly preferring the original. I like both versions, but maybe I'll end up preferring the original too if I play it often enough.Among the other tracks, which were only minor hits if they made the American top 100 at all, there are some hidden gems as well as the occasional track that maybe didn't deserve to be a hit, but overall this is a wonderful end to a great series.

Volume 5 of 5 from a great series. All tracks from the 50's & 60's and all American.

when trying to complete a set it is great when this type of cd pops up. very pleased ,good service. thankyou john w.

英エース・レコードの人気シリーズ「Early Girls」の第5集。2008年発売ですが、2019年現在続編は出ていません。28曲収録中、アンダー100位のいわゆるバブリング・アンダー・ヒット（泡のように消えた、ということでこう呼ばれています）が11曲も含まれています。しかし、これは裏を返せば「あまり耳にしたことがない」となるわけで、マニアにとっては逆に嬉しい内容。ラス・タイトルマン（ブライアン・ウィルソンと共作した「Guess I'm Dumb」などが有名）とシンシア・ワイル作の2.「Baby, Baby」（ザ・シンデレラズ＝ザ・クーキーズの変名です。プロデュースはバリー・マン！！）でマニアはまず狂喜乱舞。女性版ザ・フォー・シーズンズの5.「Dusty」（ボブ・クルー＆サンディ・リンツァー＆デニー・ランデル作）で卒倒。スペクターのボブ・B・ソックス風の23.「What Makes Little Girls Cry」で目が覚め、ザ・シャンテルズの「Maybe」そっくりのイントロを持つ26.「Dancin' In The Strand」（モーリン・グレイ）でハッとし、「One Fine Day」で有名なザ・シフォンズのそれ以前のヒット、27.「Tonight's The Night」と、キャロル・キング＆ジェリー・ゴーフィン作の28.「Play It Again」（ティナ・ロビン）で涙します。24.「P.S.I Love You」（ザ・スターレッツ）にも注目。このグループは、1963年に「My Boyfriend's Back」のナンバー・ワン・ヒットを出すジ・エンジェルスの前身グループ。ザ・エンジェルスのコーラス担当、フィリス＆バーバラのオールバット姉妹に、後に「Party Girl」を出すバーナデット・キャロル（本シリーズの第3集に収録されています）も在籍していたグループです。ブックレットの19ページに写真が載っていますが、上段の2人がオールバット姉妹、左下がバーナデットです。19.「Sparkle And Shine」のザ・フォー・コケッツも気になるグループ。キャピトル・レコード所属で、同じキャピトルのヴォーカル・グループ、ザ・フォー・プレップス（「26マイルズ」という曲が有名です）の妹分グループ。「Sparkle And Shine」は、ザ・フォー・プレップスのメンバーだったブルース・べランドとグレン・ラーソンの作品。この後、彼女たちはThe Four Cal-Quettes（ザ・フォー・カルケッツ）と名を変えて、「Star Bright」（ブルース・べランド＆グレン・ラーソン作。同じキャピトル・レコードのジム、ジェフ＆ジャンというグループも歌ったドゥ・ワップ。こちらも素晴らしい）や、「I'll Never Come Back(Silly Boy）」（バリー・マン作！スティーヴ・ローレンス、ザ・レターメンのヴァージョンへのアンサー・ソング）を歌っており、個人的に注目しているグループ。こうして、深みに自らハマっていくという愚行を犯してしまう私でした。

探していた曲があったので購入。聞き覚えのある曲や、初めて聞くが結構良い曲があり満足。