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180 gram vinyl reissue Depeche Mode's best selling album, Violator. Gatefold pressing with new liner notes.
C**E
Depeche Mode At The Height Of Their Powers
If an album is produced in 1989 and released in 1990, which decade is it from? If it features 80s style keyboards and 90s style guitars, is it electro or rock? If it’s dark yet uplifting, will it make you smile or cry? I’m glad to say that it is all of these things and more, and it makes me a happy man.Violator is Depeche Mode’s craft filtered, distilled and purified. The epic ambitions of the previous album (‘Music For The Masses’) are gone. Instead, ominous guitar lines, beautifully moody vocals and crystal clear electronic effects all float gracefully over murky bass lines. Tempos rise, fall to the depths, and rise again, sometimes within the space of a single song. Themes vary from guilt, religion, sexual fetishes, nihilism, misanthropy and drugs. Anonymous interludes bind the songs together with elegance and subtlety. It’s darkly mysterious. Evocative. Muscular. Moody.‘World In My Eyes’ opens up the void and is an excellent introduction to this finely-tuned blend of dancey pop music and something rather more shaded, reclusive and vicious. Its propulsive, electronic multi-rhythms, and darkly uplifting chorus referring to the bleakness of stark realism makes this a very dramatic song indeed, yet still one that you can dance to. ‘The Sweetest Perfection’ descends further into the mire with its tense, rhythmic verses chugging along with dirty, droning whirrs, while Gore’s high voice sails innocently overhead; some of his best lyrics ever feature here: “When I Need A Drug In Me/And It Brings Out The Thug In Me/Feel Something Tugging Me”.And then, it's time for the standard, ‘Personal Jesus’, arguably DM’s most famous song. Underpinned by a stomping blues-riff, it remains a timeless classic, probably because it sounds so raw and primal. The original man in black himself, Johnny Cash, could hardly improve it, and Marylin Manson's effort simply beefed up the amps. Hugely anemic, it uses the metaphor of tele-evangelism to warn of the unbalanced desire to have a ‘Personal Jesus’. This darkly euphoric trip is extended into ‘Halo’, a shadowy, brooding masterpiece of pumping synths and pounding bass effects. If you ever want the definitive Depeche track, this is it - the supreme height of glorious, uplifting, sinister feeling. You’ll feel high and terrified at the same time. ‘Waiting For The Night’ brings you back down, with its beautiful, crystalline keyboards that twinkle like watery stars all over the track. It has an ambient, Tangerine Dream-feel to it, yet the whispered lyrics and soulful moaning at the end give it that same ominous atmosphere. Good music for a midnight walk through the trees.But the night (and silence) is broken with the next track. Even if for some reason you haven’t heard the title ‘Enjoy The Silence’ before, you will have heard the song. It started off as a pretty ballad (until Alan Wilder had the bright idea of speeding it up into a dance track) and that wonderful, slightly melancholic feeling is carried over into this glorious final mix. Helped along by a slightly New Order-like guitar line and Kraftwerk-esque ‘pewt‘ sounds, it sounds dancey and fluid, and the lead melody is one of the strongest they’ve ever produced. Fading into the aforementioned silence, the song’s message about the unimportance of words next to feelings is placed right next to a song about the importance of lies in protecting a relationship. ‘Policy Of Truth’ is another dance-floor filler, and has a great slide guitar-esque riff over a wistful melody line sang by Gahan and competently harmonised by Gore.‘Blue Dress’, the album’s 'pervy' song (there's always one on every DM album), is the musical equivalent of a butterfly. It floats euphorically along, like a helium balloon about to escape, and Gore sings sweetly along about how much he likes a girl in a blue dress (with bizarre, warped sound effects and to waltz-time, no less). The album’s closer picks up where ‘The Sweetest Perfection’ left off, a bass-heavy churner called ‘Clean’ (ironic considering what would happen to Gahan next). It throbs along with electronic pulses and ominous, pounding drums, giving a slightly Pink Floyd-ian feel, with Gahan putting in his best vocal performance, sounding suitably morose and doubting. Lyrically, Gore interrupts Gahan’s half-hearted claims of being ,”The Cleanest I’ve Been” by murmuring “...sometimes…” in the bleakest manner possible. It’s a suitably grand, dramatic end to this dimly-lit album.If there was ever an album that bridged two decades successfully in just nine songs, Violator was it. Still Depeche Mode’s greatest work, it’s not just because of the number of excellent high-points scattered casually all over; it’s also the absence of any real flaws or filler that makes it such an easy and compulsive listen from start to finish. The hit singles are all great to listen to as stand-alone tracks, but it works very well as a coherent album too. Sure, I could nitpick and say that maybe ‘Blue Dress’ is not as strong as the rest; that ‘Waiting For The Night’ goes on for too long, or the album approach is too electronic, or too dark. But I wouldn’t be being honest at all. Even hardened electro cynics (or even purists) who dislike the approach could find much to admire here. In fact, the one and only thing I could take issue with is a song title. ‘Enjoy The Silence’? No way. Not while there’s a masterpiece like this to fall in love with.
A**N
Me encantó
De primera, lo estaba buscando hace rato, un lujo de vinilo.
E**A
Violator vinyl
Great album! Was well packaged. Very happy
C**Y
Awesome!
Was ordered for a gift and the recipient loves it!
A**R
Vinyl Review of "Violator" by "Depeche Mode"
This is the best record of Depeche Mode and Ill tell you why, while maintaining its roots of electronic it touches to the rock part, but not as much as in "Songs of Faith and Devotion", thats when they began to have a drummer, not here, here are the same band from music from the masses, with even more guitars than before, in 1990 an era when grunge was in its peak but also industrial and the birth of rave. This albums represents SO MUCH of this era that is stupid, World in my eyes , Sweetest Perfection , Personal Jesus , Halo , Waiting for the night, Enjoy the silence (it was my least favorite track cause all the fuzz, but it really is a flawless song) and POLICY OF TRUTH , this and world in my eyes may be the most Depeche M Mode track of the album giving a vibe with a beat similar to "strangelove" but even more catchy in the introm, and "world in my eyes" is an example of how Depeche Mode are evolving electronically, just because they added guitars doesnt mean they wornt have better synths, the synths on that song are incredible , and shows that depeche mode here is ready to compete with Industrial bands of this era like "Nine Inch Nails" or even "The Prodigy", yeah sometimes Depeche Mode gets really heavy and dark. The vinyl arrived in great shape, I payed for fast shipping because I was waiting for this albums to be in stock for ages.
A**R
not warped as bad but in the middle of side one it gets ... 4th one is the charm
For now I am only giving 2 starts.1st record I got, it was warped big time and the sleeve top and bottom was worn away and cut open.2nd one, not warped as bad but in the middle of side one it gets stuck and skips in the same spot.3rd try was warped worse than the 1st one :-(I am waiting on the 4th one now in hopes its in better shape.Got the 4th one at last (months later before it was back in stock) and it looks like they got the pressing right this time and its sounding awesome! This is a 5 star album, but as I had so many bad copies before I got one that worked, leaving it at a 45 starts to Amazon for no giving me a hard time in swapping this thing out now 4 times !
M**E
Great album
One of DM’s best. Quality pressing and great sound
R**E
Great remaster of a great album
I love the heavy 180 gram and heavier albums, they resist warping and just seem to be made better - but there are some that are junk out there. This one is a really good sounding remaster of DePeche Mode's best work. Very worth the money.
A**S
Depeche Mode em grande estilo.
Ótima qualidade de som no vinil. A capa gatefold do disco é uma obra de arte. Essencial para fãs da banda.
R**F
Is this Depeche Mode’s best album?
Between Music for the masses and Ultra, I think speech mode were at their best and Violator was their pièce de résistance.This vinyl edition makes the listening experience even better by sublime mastering and a great pressing.
A**L
極上音質
極上音質5.1chで、歴史的名盤Violatarを経験してしまうともう普通のCDには戻れません!・PCM STEREO・DOLBY DIGITAL 5.1SORROUND・DTS5.1chの3通りで楽しめます。※同じ仕様でも国内プレイヤーで再生できるものはとても少数で限られています。このタイプは再生できました。
G**O
O auge do Depeche Mode !!!
Violator é o 7º álbum de estúdio do Depeche Mode. Considerado pelos fãs como o melhor álbum da banda. Lançado originalmente em Março de 1990 foi eleito por muitos críticos especializado em música como um dos álbuns clássico da década de 90.O disco possui vários dos seus maiores hits: "Personal Jesus", "Policy Of Truth" e a incrível "Enjoy The Silence".Essa reedição de 2019 vem com capa "Gatefold" em disco e 180 g e uma sonoridade superior.Item essencial para os fãs.
L**O
自分の人生をとても大きく動かした重要な一枚。
高校生の時にこの作品に出会い、擦り切れるほど聴いたDEPECHE MODEの最重要作品。アナログプレイヤーを久々に買って、最初に手に入れたかったのはやはりこれ。ジャケも部屋に飾るだけで、音が鳴ってくるような錯覚を覚えますし、アナログで聞く、アナログシンセ満載のこの作品は絶品でした。
TrustPilot
1 周前
1天前