Grid systems in graphic design: A visual communication manual for graphic designers, typographers and three dimensional designers (German and English Edition)

If there’s an essential reference for planning a layout on any kind of project that needs to be designed coherently, this is the book you must have. I won’t give you any hints—just buy it and enjoy it! Whether you’re a graphic designer, poster designer, photographer, or even an illustrator, you’ll find valuable insights. Learn to apply the principles, and you’ll be ready to succeed.

If you want to build houses, you first must know how to build the foundation. If you want to design pages and screens, start with these foundations.

One thing I love about all the drawing books out now is there is something for everyone. I see things in terms of lines and mathematical equations and this book fit so well into how I draw. It was a bit hard to get used to English being on one page and German on the next, but overtime, that became easier to deal with. I almost wish they had put one of them first and then the next in the second half of the book. It might have made it easier to get through the first time.If you like to draw with mathematical brain or you simply like things to line up, (graphic designers this really is a good book to have in your arsenal) I would suggest getting a copy. It's heavy - it's hardback after all - but it's going to last a good long time.Well worth the money.

This is a great book, a classic, and a must read for any graphic designer. Regardless of where you are as a designer, this information is either new to you or you've learned some variation of it somewhere. At my work place we don't do much page layout, but I wish we did. Although after reading it, I realize this type of grid system works for one page designs as well as multi-page. At first the instructions and the whole idea sounds a bit rigid but as you continue reading you begin to understand the infinite possibilities it gives you. Nowadays there's definitely a huge misconception about "Breaking the Grid". New designers and even some seasoned designers misinterpret that statement as "No grid at all". I'm not against breaking the grid, but there has to be an existing grid before you can break the grid, otherwise what are you breaking? So if you want to break the grid, you must still learn the grid. Margins don't qualify as a grid system. Another misconception is that you have to break the grid to create dynamic. That is also false. There is a such thing as dynamic use of the grid, and this classic book proves it. I love the grid and after reading this book, I recognize it more as I look at great design work. The layout system is such a fundamental part of being a graphic designer. Make sure you're making every effort to improve all the necessary skills. If you're looking for an improvement in your layout skills, read this book. It will stand the test of time for ages to come.

Took me a while to wrap my head around the Grid System, but once you do it is a very powerful layout technique. Highly recommend.

This book along with, 'The Elements of Typographic Style', by Robert Bringhurst, being the Typographer's Bible 1-a, will be what you need to learn how to set type for print and layout design. If you're learning how to set type, be patient and do your own exploring alongside these publications because the intricacies of Type are elusive and esoteric.If you're designing for screens there are other great resources, look elsewhere!

If you want to go from knowing nothing about grid-based graphic design to knowing something, this is your book: accessible, clear, and narrowly focused. It forcefully explains why grids are good, how to build them, and how to zero in on the right one for a particular purpose. It's hard to imagine a new designer who wouldn't improve after reading it."Grid Systems in Graphic Design" is also old, short, and introductory. The author writes from a time when his preparation for a design project was to make sketches so detailed that they sometimes involved actually hand-drawing accurate copies of the typefaces he intended to use. On the subject of page proportions, he stresses the benefits of DIN sizes and moves on. His examples are great at demonstrating the clarity that comes from applying a grid to a single, flowing stream of content, but it would have been nice to have a few examples in which content has to be kept separate. A newspaper page often has 4-6 stories (plus ads) that all must be kept visually distinct. How do his "Systems" accomplish that within the grid?This book will teach what it says on the cover. Just don't expect it to do anything more. "The Elements of Typographic Style" by Robert Bringhurst is more wide-ranging, more up to date, and more important to have as a reference.

My graphic design professor recommended this book to me. He studied graphic design in Germany therefore his classes have a strong emphasis on clarity, structure, and neutrality. The grid system one of the manifestations of the principle of the international graphic design styles.The book shows how the grid is constructed and applied in a very detailed manner. I like the book quite a lot.